Dubliners
Clay
Clay: Summary
The story follows Maria, a small, peace-making woman working at a laundry, as she prepares and attends a festive gathering at the home of Joe, a man she helped raise. The evening includes singing, games, and reconciliation attempts.
Below you can find a helpful list of introductory articles on "Clay" if you plan to do further research on the story.
Overview & Analysis
The story revolves around Maria, a hard-working woman with a calming and appeasing personality who works at a laundry in Dublin. She is described as "a very, very small person indeed but she had a very long nose and a very long chin." Despite her physical characteristics, Maria is well-respected and loved by people around her due to her peace-making abilities and calming personality. She is depicted as a character who navigates through the world with care, kindness, and a sense of duty. An evening out, away from the laundry and with a family she considers her own, is her reward.
The story is set in a traditional Irish society, where women's roles are often limited to home-making or other forms of service. The setting moves between the laundry where Maria works and the house of Joe, the man she had helped raise, and who considers her as his "proper mother."
The primary conflict of the story arises from Maria's desire for a pleasant evening with Joe's family, combined with her fear that Joe might ruin the evening by getting drunk. Furthermore, a longstanding feud between Joe and his brother Alphy also threatens peace among the family. Maria's concerns are based on her deep affection for the family and her desire to be a part of a family that she never really had. The story also explores the theme of longing and belonging, as Maria, who appears to have no family of her own, has nurtured Joe and his family as if they were her own. There's a poignant moment where she reflects on her place within the family, suggesting a longing for familial connection: "Often he had wanted her to go and live with them; but she would have felt herself in the way." This speaks to Maria's humble nature and her reluctance to impose on others.
Maria's evening does not go as planned, adding an element of disappointment to the story. She loses a special surprise, a plumcake she had bought for Joe and his wife. This setback brings her to the brink of tears, as it symbolizes her thwarted efforts to contribute something special to the evening. However, her distress is quickly mitigated by the kindness of Joe and his wife, who comfort her and continue to include her in the evening's festivities.
The plot culminates with Maria singing a traditional Irish song, bringing a sense of nostalgia and sentimentality to the gathering. This moment presents an "epiphany", a common literary technique used by Joyce, where the character experiences a sudden revelation or understanding. The lyrics of the song, "That you loved me still the same," echo Maria's deep longing for love and recognition, not in terms of wealth or prestige, but in personal affection and care, values she herself embodies.
Although the narrative ends without a clear resolution to the familial conflict, Maria’s song subtly hints at the possibility of reconciliation, as Joe is visibly moved by her performance. Despite the evening's setbacks, Maria appears content with the unfolding events, reminiscing about old times with Joe, which underscores her continued sense of belonging and the deep affection she holds for the family.
In conclusion, the story embodies themes of longing, belonging, and the pursuit of peace and harmony, embodied in the character of Maria. Her humble and peace-making nature stands as a stark contrast to the undercurrents of familial conflict and societal constraints. Despite her personal disappointments, Maria's genuine affection for Joe and his family and her dedication to her role in their lives brings a heart-warming element to the narrative, quietly emphasizing the value of love, care, and familial bonds.
Characters
Character | Description |
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Maria | The protagonist of the story, Maria, is a petite woman with a long nose and chin, who works at a laundry in Dublin. Known for her peace-making abilities, she is loved and respected by those around her. She is humble, kind, and devoted to the family of Joe, a man she helped raise. |
Joe | One of the men Maria helped raise, Joe, is a businessman with a family. He has a strained relationship with his brother, Alphy. Joe shows respect and genuine affection for Maria, considering her as his 'proper mother'. |
Alphy | Joe's brother and one of the men Maria helped raise. He is in a feud with Joe, which is a source of tension in the story. Alphy's character is not directly presented in the story. |
Mrs. Donnelly | Joe's wife, who is kind and welcoming to Maria. She is presented as a mediator when tensions heighten between Joe and Alphy. |
The Children | Joe and Mrs. Donnelly's children, who, along with their parents, are fond of Maria. They contribute to the lively atmosphere of the evening. |
Ginger Mooney | A character who is mentioned at the beginning of the story, Ginger frequently expresses her gratitude towards Maria and the peace she brings to the laundry. Her character highlights Maria's calming influence. |
The Matron | The head of the laundry where Maria works, she values Maria's peace-making abilities and is polite and respectful towards her. |
The Gentleman on the Tram | An elderly man Maria meets on the tram, he is polite and considerate, contrasting with the younger men who ignore her. His character reinforces Maria's belief in the politeness and charm of older generations. |
Bibliography for Dubliners —
Clay
Author | Title | Type |
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Blanco Outon, Cristina | "Two Connecting Aspects between James Joyce's 'A Little Cloud,' 'Clay,' 'A Painful Case' and 'The Dead'." in: BELLS Barcelona English Language and Literature Studies 6 (1995), p.23-30. | Article |
Breuer, Horst | "The 'Elderly Gentleman' in Joyce's 'Clay'," in: JJQ 36.4 (Summer 1999), p.951-953. | Article |
Norris, Margot | "Narration Under a Blindfold: Reading Joyce's 'Clay'," in: PMLA 102 (1987), p.206-215. | Article |
Owens, Coilin | "'Clay'(2): The Myth of Irish Sovereignty," in: JJQ 27 (1990), p.602-614. | Article |
Owens, Coilin | "'Clay'(3): The Mass of Mary and All the Saints," in: JJQ 28 (1990), p.257-266. | Article |